An unthrilling thriller from the usually dependable Rose (The Halo Effect, 2004, etc.).
A world-shattering secret, the ire of the Catholic Church, a professor in mortal danger—no, it’s not The Da Vinci Code, but a pallid thriller on the mystery of reincarnation.
After Josh Ryder recovers from an almost fatal head injury, he finds he’s not been left with a neurological disorder (he’s had all the tests) but with a vivid recollection of being a pagan priest in fourth-century Rome. The visions are frightening experiences encroaching on his daily life, and so far the only help he’s gotten comes from the Phoenix Foundation, a New York group devoted to researching reincarnation. Josh and an associate travel on the Foundation’s behalf to Rome, where the tomb of a vestal virgin is being unearthed. The archeologists working the sight, Professors Rudolfo and Chase, have found the fabled memory stones, magic gems that enable the user to see his past lives (though considering the agony Josh experiences, and all the others seeking the Foundation’s help, it seems more a curse than a gift). Visiting the site, Josh has powerful flashbacks to his life as Julius and the tragic end of his lover Sabina, now mummified in the tomb. While Josh is in a tunnel, Rudolfo is shot and the memory stones are stolen, setting off a chain of events that lead Josh and Gabriella Chase (a young, attractive love interest) on a journey to discover the meaning of the stones. Back in New York, Josh is temporarily distracted by Rachel, a jewelry designer who lives with her uncle Alex (also obsessed with the idea of past lives) and is experiencing her own disconcerting episodes in which she is a 19th-century woman in mortal danger. Are Josh, Rachel, Rachel’s boyfriend Harrison, Julius, Sabina (and a few others) all connected? You bet they are, and conveniently they all live in New York. When Gabriella’s daughter is kidnapped by the stones’ new owner, Josh and Gabriella have but a few days to decipher the mantra that makes them work. A predictable “twist” at the end tops off a fairly unremarkable work that takes for granted that reincarnation is as dangerously exotic as the author thinks it is.
An unthrilling thriller from the usually dependable Rose (The Halo Effect, 2004, etc.).Pub Date: Sept. 1, 2007
ISBN: 978-0-7783-2420-1
Page Count: 464
Publisher: Harlequin MIRA
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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