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ARE YOU BIG?

Vast charm in a (relatively) small package yields big laughs.

Size may be relative, but that doesn’t mean it can’t also get silly.

How large or small a kid is can take on outsized importance, so right from the start, an unseen narrator poses the titular question. Well, what is “big,” exactly? Our stand-in, purple-skinned child is placed next to an anthropomorphized bespectacled hot-air balloon. After all, hot-air balloons are big. On the next spread, the balloon is beside an even larger cloud. And beside the cloud? A storm. When the continent of Australia walks onto the scene, grinning wide, dwarfing the storm, we get a hint of how ridiculous things are about to get. And indeed, in walks the moon. Then Earth. Then the sun. Then the star Pollux, and beyond that are galaxies and galaxy clusters. Suddenly the question returns. “So, are you big?” A little bug cries out, “You are to ME!” Further facts about relative sizes appear at the story’s end, as well as a necessary caveat that the images are not to scale. With aplomb, Willems plays with textures, colors, and layering in a style that resembles cut paper. Meanwhile the steady one-upmanship of the large bodies allows for the rare combination of scientific backing, read-aloud humor, and a concrete message about where one stands in the grand scheme of things.

Vast charm in a (relatively) small package yields big laughs. (Informational picture book. 3-6)

Pub Date: Feb. 6, 2024

ISBN: 9781454948186

Page Count: 32

Publisher: Union Square Kids

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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GREEN IS FOR CHRISTMAS

Fun enough to read once but without enough substance to last.

Familiar crayon characters argue over which color is the essential Christmas color.

Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)

Fun enough to read once but without enough substance to last. (Picture book. 3-6)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-35338-7

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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