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A BIG GUY TOOK MY BALL!

From the Elephant & Piggie series

Nineteen books and five Geisel medals or honors along, Elephant and Piggie are still delivering funny, emotionally...

Gerald the elephant and Piggie return with another playground psychodrama, this one with a twist.

Piggie just loved the big ball she just found—“it was so fun!”—but the fun was short-lived, as the titular “big guy came—and—and—and— / HE TOOK MY BALL!” Piggie’s distress is so great Gerald is literally bowled over. “That is not right!” he declares. “What makes those big guys think they are so big?!” “Their size?” suggests Piggie. Gerald stalks off the page to give the big guy what-for, but…the big guy is “very BIG.” In fact, the big guy is a land-going whale, who first thanks Piggie for finding his “little ball” and then laments that no one will play with him because of his extreme size: “LITTLE GUYS HAVE ALL THE FUN.” (The whale speaks in all-uppercase letters, though the font changes with his mood; the previous sentence is printed in tiny, all-capped type.) This morality play in false assumptions and relativity unfurls with Willems’ customary command of visual pacing; gags are spaced just right to keep the pages turning and readers giggling. His deft exploitation of comic-book conventions sets speech balloons to overlapping and appropriately varying in size.

Nineteen books and five Geisel medals or honors along, Elephant and Piggie are still delivering funny, emotionally perceptive stories for just-emerging readers. As the big guy says: “BIG FUN!” (Early reader. 5-8)

Pub Date: May 21, 2013

ISBN: 978-1-4231-7491-2

Page Count: 64

Publisher: Hyperion

Review Posted Online: March 26, 2013

Kirkus Reviews Issue: April 15, 2013

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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