Turns “us against them” on its head to celebrate the transformative joy found in diverse communities.
With a perfect (bunny) ear for what kids want, Willems employs his signature style as he encourages readers to forge connections.
Each spread is made up of two pages with different yet equally bright, solidly colored backdrops—a clever way to hint at divisions in our society. The opening pages show a bunny on the left-facing page and the words “i am ME” on the right. The next spread shows a second bunny, this time on the right-facing page, with the text “you are YOU” on the left. The page turn reveals the two creatures together on the left-facing page, accompanied by the text “we are US.” Each spread thereafter introduces new bunnies on the right-facing page who join the existing characters, affirming a unifying message: “whoa! More US!” While the bunnies do express apprehension about the newcomers, some of whom have obvious differences (such as the use of mobility aids or varied fur colors or styles of dress), everyone is welcome. Though this title explores a complex topic—the importance of cultivating bonds even with those who appear different—it’s amazingly attuned to its audience. The text is minimal, but the consistently uncluttered art design makes the message clear. Hinting at P.D. Eastman’s classic Go, Dog. Go! or the busy pages of Richard Scarry's, this tale blends whimsy and delight with a thoughtful but never preachy takeaway.
Turns “us against them” on its head to celebrate the transformative joy found in diverse communities. (Picture book. 3-7)Pub Date: Feb. 4, 2025
ISBN: 9781454951490
Page Count: 32
Publisher: Union Square Kids
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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