Despite its self-fascination, a novel of undoubtable prowess.
A struggling Senegalese novelist falls deeper and deeper into a shadowy maze of literature and history.
At the heart of this tale of literary identity is the mysterious (and fictional) Senegalese author T.C. Elimane and his 1938 novel, The Labyrinth of Inhumanity, a book that narrator and struggling 21st-century novelist Diégane Latyr Faye believes to be so brilliant, so profound that, upon reading it, “violent, pure life would come coursing back through your veins.” In the midst of trying to write his own masterpiece, Faye, also Senegalese and Paris-based, encourages his clique of writers to help him raise the banner for Labyrinth as a lost, liberating work of African literature. Upon researching the novel’s murky history, Faye discovers that it had incited polarizing debate in francophone Africa’s literary coteries. From what he can tell, the work pierced Parisian society like a bullet, made a harrowing mark, then disappeared along with its author. Faye decides he must find out what happened to Elimane while searching for the truth of his own murky identity. In time, he questions whether literature for him is a sort of windowpane, or even a shield, behind which he shelters in avoidance of life’s “battering ram to the gut.” Sarr investigates with keen psychological detail Faye’s and Elimane’s "foreign”-ness, their oft-patronized “exoticism,” their battles with the realities of homeland and the non-being of expatriate life in France. Faye’s and his peers’ tipsiness before the lure of lasting fame, or at least Instagram notoriety, the constant hum of gossip by which they are encircled, the bitter critical dismissals—all the elements of the writer’s consciousness are set out painstakingly. In the end, to whom who can Faye be faithful? How will he define himself, particularly on those nights when the sky, like Elimane’s chef-d’oeuvre, is “a labyrinth too, and it's no less inhuman than the labyrinth of the earth”? Translated by Vergnaud, Sarr’s novel, though self-conscious and on occasion self-indulgent, nevertheless justifies itself as the winner of the 2021 Prix Goncourt, one of France's most prestigious literary prizes.
Despite its self-fascination, a novel of undoubtable prowess.Pub Date: Sept. 26, 2023
ISBN: 9781635423273
Page Count: 496
Publisher: Other Press
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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