A hand-sized book holds a humorous tale of a goose raised by woodchucks. Bang (Chattanooga Sludge, p. 444, etc.) begins: "On a dreadfully dark and stormy night, an egg was blown right out of its nest." The goose egg rolls into a deep dark hole and lands in a den of woodchucks where it hatches. The woodchucks raise the goose as one of their own and try to teach it what a woodchuck should know, with some success. The still-earthbound goose, however, sets off into the world to find out what more there is, falls off a cliff, and discovers she can fly. Bang makes intriguing use of perspective, multiple images, frames, and borders. In the first pages, white, gray, and aqua images are painted across black backgrounds, with rain pelting down in and out of the frame; the trunk of a wind-bent tree is in the border, with its branches the focus of the picture. Elsewhere, the egg rolls right out of the frame and lands on the next page. Other pictures look like snapshots from the woodchuck family album, with a formal portrait as well as tiny, candid shots of the goose and siblings digging, moving logs, grazing, and swimming. Children will scrutinize every illustration carefully, taking pleasure from the innumerable discoveries therein. (Picture book. 5-8)
Pub Date: Sept. 1, 1996
ISBN: 0-590-89005-0
Page Count: 40
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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