Design, engineering, and art intersect to deliver a virtuoso interpretation of the pitfalls and pleasures of triads.
While Idle’s previous titles (Flora and the Flamingo, 2013, etc.) feature her young, white dancer with a single avian partner, this story presents a pas de trois.
The challenge, therefore, is how to manage balance: on the stage, across a double-page spread, among friends. The choreography creates the narrative in this wordless performance, with opportunities for audience participation via flaps. In the opening scene, a fan-wielding Flora poses alone; the peacocks are paired. Wispy willow branches form a proscenium arch atop the extravagant white backdrop. The dancers are arrayed in coordinated teal and green splendor with yellow highlights. When one bird crosses the gutter, a dance ensues on the verso, a drama on the recto. The birds’ parallel symmetry is now inverted: the partners reach up, the lone peacock disdainfully displays downward. As Flora plants a foot on each page, readers decide whether to make tails match or contrast. They are also the agents for a tug of war over the fan. Idle’s nuanced postures and expressions capture the peacocks’ wounded pride perfectly. When the fragile prop breaks in a climactic close-up, the despondent protagonist stalks off the page. The birds find a solution, and a glorious gatefold, measuring 18 by 33 inches, puts a joyful Flora at the center of a dazzling and harmonious display.
Design, engineering, and art intersect to deliver a virtuoso interpretation of the pitfalls and pleasures of triads. (Picture book. 3-7)Pub Date: May 3, 2016
ISBN: 978-1-4521-3816-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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