This is a beautiful exploration of how the heart’s irrational responses to love and betrayal can stand in the way of...
Everyone hopes that love will last forever, that only other people’s loves will fail. But what if the unthinkable happens to you?
Ringwald's (Getting the Pretty Back, 2010) debut novel employs a series of interlaced stories with a constellation of characters at different stages of life facing varied obstacles (many self-created) in the path of love. Among the characters fumbling to understand their own behavior and bewildered by the consequences of their actions is Greta. She and Phillip have built a secure, happy marriage, one that helps her endure the indignities of a third round of fertility injections and the difficulties of raising their energetic 6-year-old daughter, Charlotte. When Phillip confesses he has cheated on her with Theresa, Charlotte’s 19-year-old violin teacher, Greta is staggered. She returns to her mother, Ilsa, who faces her own challenges in love, including her plan to take in Greta’s drug-addicted nephew, Milo—Milo, who is so difficult that his own mother has run away to join a New-Age yoga practice. Ilsa challenges Greta: Doesn’t everyone deserve a second chance? But Greta cannot forgive Phillip. As she tries to repair her life, Greta embarks on a relationship with the much younger Peter. Estranged from Greta, Phillip forges a friendship with Marina, whose son, Oliver, is a friend of Charlotte’s. Oliver, however, likes to dress up in Charlotte’s clothes, which leads to his being attacked by older boys. Ringwald deftly weaves together the threads of these stories, creating a tapestry that captures the emotional landscape of both young and well-worn relationships. Amid the dust of that landscape lies a sort of letter to Theresa, a letter that exposes the myriad emotions swirling in the aftermath of a betrayed love.
This is a beautiful exploration of how the heart’s irrational responses to love and betrayal can stand in the way of forgiveness.Pub Date: Aug. 14, 2012
ISBN: 978-0-06-180946-0
Page Count: 272
Publisher: It Books/HarperCollins
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
PROFILES
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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