by Mónica Mancillas ; illustrated by Erika Meza ‧ RELEASE DATE: Oct. 4, 2022
A sweet look at what familia can mean.
A Mexican American child meets her whole extended familia for the first time.
In Mami’s small pink car, Mariana moves across the frontera and into “a jumble of mismatched buildings of all shapes and sizes” as she takes in the sights and sounds of México. Finally, the two of them arrive at Abuelita’s door, and Mariana grabs onto Mami as a shadow looms behind some drapes and a couple of other children peek out. Inside, Mariana’s whole family greets her, but not even Abuelita’s hug and kisses soothe Mariana’s worries. After all, who wouldn’t feel shy standing in “this house filled with brand-new people”? When Mariana hands out presents to her familia, she misspeaks and calls her Abuelita “agualita,” spurring the other children to start giggling. Embarrassed, Mariana retreats into herself until Abuelita comes to her aid with a storybook full of pictures, crispy quesadillas, and creamy frijoles and arroz, subtly teaching the girl Spanish words. By book’s end, Abuelita and Mariana—and everyone else—come together as familia. Measured in its empathy, this tale admirably explores a familial scenario that many readers will understand all too well. Kudos also to Meza’s eclectic, colorful artwork, which features double-page spreads full of slightly unusual perspectives that reflect Marians’s initial discomfort. Though Spanish words are unitalicized, during crucial moments, a few specific Spanish words appear on the page as vibrant standouts, a visual cue of shared affection. (This book was reviewed digitally.)
A sweet look at what familia can mean. (Picture book. 4-8)Pub Date: Oct. 4, 2022
ISBN: 978-0-06-296246-1
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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