A brief, enigmatic story that parks most of its meaning (if there is any) on the metaphorical level. Forbidden to do so, Reina, Clara, and Amelia often sneak out of town to seen the mountain- sized giant. They always find him standing stiffly in his garden or bending down to weed with boulder-sized fingertips, oblivious to them no matter how much they shout, or wave, or hop about. One day, though, they catch his eye and, before beating a hasty retreat, leave three flowers in his palm. The girls are strongly affected by the episode and that night, safe in bed, hear the giant weeping, too. Readers are likely to find the point elusive, though Gerstein's exuberant illustrations—the girls, with arms and legs perpetually in motion, dash and dance through lush gardens and along the very edge of a rocky outcrop—and intense, simply phrased writing make an appealing match. The giant is a melancholy figure with the face of a young man, dressed in a patchwork of rags and rendered in washed-out colors, so huge that his face and hands are landscaped with streams, shrubs, and wildlife. A puzzling, perhaps private story, it is reminiscent of Oscar Wilde's fairy tales. (Picture book. 9-11)
Pub Date: Oct. 1, 1995
ISBN: 0-7868-0131-X
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The book is a cute, but rather standard offering from Avi (Tom, Babette, and Simon, p. 776, etc.).
An adolescent mouse named Poppy is off on a romantic tryst with her rebel boyfriend when they are attacked by Mr. Ocax, the owl who rules over the area.
He kills the boyfriend, but Poppy escapes and Mr. Ocax vows to catch her. Mr. Ocax has convinced all the mice that he is their protector when, in fact, he preys on them mercilessly. When the mice ask his permission to move to a new house, he refuses, blaming Poppy for his decision. Poppy suspects that there is another reason Mr. Ocax doesn't want them to move and investigates to clear her name. With the help of a prickly old porcupine and her quick wits, Poppy defeats her nemesis and her own fears, saving her family in the bargain.
The book is a cute, but rather standard offering from Avi (Tom, Babette, and Simon, p. 776, etc.). (Fiction. 9-11)Pub Date: Oct. 1, 1995
ISBN: 0-531-09483-9
Page Count: 147
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
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