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PRIDE OF LIONS

A sequel to the popular author's Lion of Ireland (1980), the story of Brian Boru, the late tenth-century Irish warrior king who drove out the Norsemen invaders and, for an eyeblink of time, united Erin. Here, his son Donough, after Brian's death in 1014, sets his sights on his father's crown. After the battle in which the Ari Ri (king) Brian was killed— a conflict brought about by King Sitric of Dublin, then urged on by the fierce Gormlaith, the wife whom Brian had exiled—Donough, at 15, is the only surviving prince. On his way to manhood and respect, he must deal with his half-brother Prince Toigue, older but with no heart and no ability as a warrior. With his own vacuous bride, Donough is uneasily established at Toigue's fort of Kincora (he's sure it's his) when in storms his mighty mother—a former beauty and terror of Ireland now bent on empire-building. Gormlaith detects king-stuff in Donough and has a hand in plots and plans until her final madness. Meanwhile, Donough is finding true love with Cera the druid, though the increasingly influential church is disapproving. Eventually, he'll take the long sea trip to Scotland to meet with his half-sister's husband Malcolm II (grandfather of Duncan of Macbeth fame) and return with an alliance, not only with Scotland but England, now under the rule of King Canute (``Canute is nothing short of brilliant,'' bubbles one noble). In Scotland, Gormlaith, in her golden years, is brassy-bold with King Malcolm, who succumbs, though she'll be longboated home mumbling about her only love, Brian Boru. Donough will be cheated of the crown, and there'll be war and war and war. At the last, Donough is given a choice—Cora or Tara. Straight bothered-hero fare, with grue, stone digs, and sword- and ax-play.

Pub Date: March 17, 1996

ISBN: 0-312-85700-4

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1996

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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