by Morgane de Cadier ; illustrated by Florian Pigé ; translated by Angus Yuen-Killick ‧ RELEASE DATE: Sept. 7, 2021
A delightful, lighthearted tale of self-discovery.
A fairy leaves his forest home and travels to the city in search of his special talent.
Unlike the other forest fairies, who all have their own unique skills, Mister Fairy feels useless. “Sad and unhappy,” he leaves the forest only to arrive in “a very different forest” (depicted in Pigé’s artwork as a city) where everything is “dark and gray and colorless” and its inhabitants also seem sad and unhappy. Then Mister Fairy tentatively waves his wand, and magically the city’s awash in color, making the people smile. “No longer feeling sad and unhappy,” Mister Fairy heads into the subway, where he waves his wand again and tickles passengers with his tiny wings, prompting everyone to laugh. Back on the street, he transforms outdoor cafe umbrellas into giant cotton-candy balls, delighting all. Returning home, Mister Fairy discovers his forest has lost its color, and his forest friends no longer laugh or smile without him. Realizing he’s not the “most useless fairy” after all, a now-confident Mister Fairy knows just what to do. Whimsical illustrations rely on abstract, simple shapes and soft colors to capture Mister Fairy’s transition from frowning and purposeless to smiling and fulfilled. Humorously presented as a miniature elephant in a dress with itty-bitty wings and a wand, Mister Fairy’s tiny, solitary figure will engender chuckles as he deliberately flits across the pages, spreading color, smiles, and even cotton candy.
A delightful, lighthearted tale of self-discovery. (Picture book. 4-8)Pub Date: Sept. 7, 2021
ISBN: 978-1-63655-000-8
Page Count: 40
Publisher: Red Comet Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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BOOK REVIEW
by Morgane de Cadier ; illustrated by Florian Pigé ; translated by Johanna McCalmont
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
BOOK REVIEW
by Susan McElroy Montanari ; illustrated by Brian Pinkney
BOOK REVIEW
by Susan McElroy Montanari ; illustrated by Jake Parker
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