A hopeful pandemic story featuring love, trust, and a sense of legacy.
An Indigenous child faces Covid-related stress and grief in Moon’s series picture book.
Kaiah, a young elementary school-age Native American girl, struggles with anxiety as the coronavirus first begins spreading across the country. Grandma Phoebe Bluebird teaches Kaiah grounding skills, including mindfulness and “Big belly breaths – four counts to breathe in and six counts to let go.” Grandma and Kaiah’s close relationship is particularly evident after the pandemic shuts down Kaiah’s school and dance studio. Moon addresses the challenges many children face with online learning: “Frozen screens, robotic voices, and headaches.” Kaiah misses her friends and “Spiraling thoughts made [her] miserable.” Grandma reassures her and helps her stay active by allowing her to help with gardening. Sadly, Grandma eventually gets sick and passes away; despite profound sadness, Kaiah remembers all her grandmother’s calming techniques, which she safely shares with elderly Covid-19 patients. Moon’s story is written in comfortably predictable rhyme, although occasionally the rhythm is awkward (“minds were frantic”/ “swim across the Atlantic”). Moon’s story will be particularly relatable to children who remember the pandemic’s earliest days, and the author ably weaves in calming skills and the stages of grief. Elements of the characters’ Native American culture (such as releasing lanterns) add dimensionality. Kanavaliuk’s illustrations are soft and colorful, supporting the text beautifully throughout.
A hopeful pandemic story featuring love, trust, and a sense of legacy.Pub Date: Dec. 2, 2023
ISBN: 9798989368617
Page Count: 38
Publisher: N/A
Review Posted Online: June 19, 2024
Review Program: Kirkus Indie
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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