WISHES

The story of a young refugee’s flight from home is told through a series of wishes made by inanimate objects.

“The night wished it was quieter,” reads the first of 12 wishes that tell the story of a family’s journey across the sea to a better life. A somber palette and perfectly chosen scenes illustrate each object’s wish, giving shape to the story that unfolds. The bag that family members pack with rice packets “wished it was deeper.” The clock, at departure time, “wished it was slower,” as an older man embraces two children with tears in his eyes. The winding, ominous path on which the oldest child and mother walk (she carries both an infant in a sling and her middle child on her back) “wished it was shorter.” And the boat that they board, packed to the edges with passengers, “wished it was bigger.” Each simple statement, accompanied by its heart-rending visual element, takes readers along on this harrowing journey. When the final wish arrives (the only to employ the first person), the one sentence spans four double-page spreads of visual storytelling that evoke the joy and release of so many heightened emotions. Details in every illustration convey an Asian setting, though readers in the know will recognize distinctly Vietnamese particulars. Backmatter explains how the author’s own family escaped from Vietnam in the 1980s.

A superb, beautifully moving collaboration of text and illustration.