Next book

MIA AND MOLLY

THE SAME AND DIFFERENT

A colorful tale of twins who are not always identical.

A flip book introduces two Asian siblings, twin toddlers who observe ways they are similar and ways they are not.

“Look—Mia and Molly are twins. They look the same.” This half of the book goes on to highlight ways that the twins are similar, focusing on shared preferences in objects and dress. “Today Mia and Molly are wearing the same clothes and the same shoes.” Fortunately for the sisters, the illustrations reveal that there are two of everything, avoiding any source of contention. Bright contrasting colors and textures add dynamism to the illustrations along with artful placement of patterns to surround text or give a pop to objects. Conflict does arise when Mia and Molly fight over one beloved toy frog. Luckily Mommy has a solution. At this point, readers flip the book over and begin reading from the back cover to delve into the differences between the two. Some instances are fairly superficial while others reveal personality distinctions: “Mia loves to laugh at silly puppets. Molly thinks they are a little bit scary.” Despite the textual and clothing cues, readers may have a hard time tracking which twin is which, as Freeman does not differentiate them as adroitly as Grace Lin does in her similarly themed early reader, Ling & Ting: Not Exactly the Same! (2010). (This book was reviewed digitally with 8.7-by-16.6-inch double-page spreads viewed at 90.1% of actual size.)

A colorful tale of twins who are not always identical. (Picture book. 2-4)

Pub Date: Oct. 13, 2020

ISBN: 978-1-60537-571-7

Page Count: 42

Publisher: Clavis

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

Next book

ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

Next book

TEN EASTER EGGS

There is always room in the Easter basket for a counting book, and many readers may appreciate having another simple,...

A cheerful brown bunny hiding behind the edges of an Easter basket looks just as surprised as young children will be to find the chicks revealed as each egg “hatches.”

With help from a reading partner, young children are encouraged to count down the eggs as they disappear with each page turn. Alternatively, they can count up as the chicks are revealed. A simple phrase at the top of each right-hand page states the number of eggs in the basket. The line at the bottom (half of a rhyming couplet) tells how many chicks readers should look for. The numbers are spelled out, requiring young children to recognize the word instead of the more familiar numeral. On the left-hand page, the spaces previously occupied by an egg begin to fill with meadow plants and critters, eventually becoming a scene as busy and cheerful as a greeting card. This book begs to be touched. Each egg is made of shaped plastic that protrudes through die-cut holes on the verso; they can be pressed but seem to be securely anchored. The pastel chicks are lightly flocked, providing an additional tactile experience. Although the pages are thicker than paper, young fingers may find the holes a convenient way to grip (and possibly tear) the pages.

There is always room in the Easter basket for a counting book, and many readers may appreciate having another simple, nonreligious holiday book. (Board book. 2-4)

Pub Date: Jan. 27, 2015

ISBN: 978-0-545-74730-1

Page Count: 22

Publisher: Cartwheel/Scholastic

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: July 1, 2015

Close Quickview