A colorful tale of twins who are not always identical.
“Look—Mia and Molly are twins. They look the same.” This half of the book goes on to highlight ways that the twins are similar, focusing on shared preferences in objects and dress. “Today Mia and Molly are wearing the same clothes and the same shoes.” Fortunately for the sisters, the illustrations reveal that there are two of everything, avoiding any source of contention. Bright contrasting colors and textures add dynamism to the illustrations along with artful placement of patterns to surround text or give a pop to objects. Conflict does arise when Mia and Molly fight over one beloved toy frog. Luckily Mommy has a solution. At this point, readers flip the book over and begin reading from the back cover to delve into the differences between the two. Some instances are fairly superficial while others reveal personality distinctions: “Mia loves to laugh at silly puppets. Molly thinks they are a little bit scary.” Despite the textual and clothing cues, readers may have a hard time tracking which twin is which, as Freeman does not differentiate them as adroitly as Grace Lin does in her similarly themed early reader, Ling & Ting: Not Exactly the Same! (2010). (This book was reviewed digitally with 8.7-by-16.6-inch double-page spreads viewed at 90.1% of actual size.)
A colorful tale of twins who are not always identical. (Picture book. 2-4)Pub Date: Oct. 13, 2020
ISBN: 978-1-60537-571-7
Page Count: 42
Publisher: Clavis
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pure unmitigated sleepy-time pleasure.
Klassen’s inimitable blend of cozy and curious is on flagrant display in this tale of personalized forest management.
“This is your sun. It is coming up for you.” Klassen allows the youngest of readers to put together a beguiling woodland scene. Each object in the forest is bedecked with the deadpan eyes the artist is known for. Like other titles in the series, this one presents typical items (trees, rocks, a stream), but it distinguishes itself by including a solitary forest ghost who “is nice. He only comes out at night.” It’s a tiny yet whimsical detail that imbues the tale with an enchanting sense of unpredictability. When day shifts to night, readers are assured that “this is your forest. Now it is done.” The sun sinks, and they’re treated to a surreal scene as all the items appear to doze off: “Now everyone is closing their eyes.” Happily, the ghost has a brief solo moment on the very edge of the forest on the final page. Readers will experience both the comfort of putting a community of anthropomorphized objects to sleep and the power of creating it in the first place.
Pure unmitigated sleepy-time pleasure. (Board book. 2-4)Pub Date: Feb. 4, 2025
ISBN: 9781536230833
Page Count: 24
Publisher: Candlewick
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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