Art appreciation from the lens of royal Black childhood—beautiful!
In Freeman’s latest Princess Arabella book, this young Black princess gives her royal friends a tour of her very own museum.
Unlike the Louvre, Princess Arabella’s museum seems to attract more children than adults, features many hands-on exhibits, and displays art that relates to the princess’s family. Portraits of Princess Arabella and her mother attract the attention of her regal friends because both have blue faces. Princess Ling calls this “strange” while Prince Jonas declares it “magnificent.” Princess Naomi says she recognizes Arabella as the subject of these portraits, regardless of skin color. The Worhol-esque endpapers even foreshadow this conversation, depicting Arabella with blue, red, pink, green, purple, and orange skin. And indeed, the wonderfully stylized images of Princess Arabella’s unique hairdo, which Freeman creates with increasingly smaller unconnected circles that give the essence of five pigtails, make her unmistakable. Other museum exhibits include huge, colorful dotted pumpkins like Yayoi Kusama’s, a giant spider that recalls Louise Bourgeois’ Maman, one dog inspired by Jeff Koons and another by Keith Haring, and a portrait of her parents reminiscent of Kehinde Wiley’s portraits of the Obamas. Docent Arabella, wearing her Mondrian-inspired dress, concludes the gathering with tasty treats and enjoys the children’s excitement for making their own amazing artwork. Like the other Princess Arabella books, this one features a cast of multicultural characters from different, though unspecified, countries. (This book was reviewed digitally with 10.3-by-16.6-inch double-page spreads viewed at 57.1% of actual size.)
Art appreciation from the lens of royal Black childhood—beautiful! (Picture book. 3-7)Pub Date: Oct. 20, 2020
ISBN: 978-1-913175-06-1
Page Count: 32
Publisher: Cassava Republic Press
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
