edited by Myra Cohn Livingston & illustrated by Leonard Everett Fisher ‧ RELEASE DATE: Oct. 15, 1992
Seventeen poems on whales, interestingly varied in tone though somewhat uneven in quality. Beginning with Ciardi's humorous explanation of ``Why Noah Praised the Whale'' (he didn't have to feed it) and several other amusing entries, the collection moves on to mothers and babies, whale songs (Yolen's ``Sea Canary''), some Native American verse about hunting, and a somber conclusion: di Pasquale's ``Stranding,'' Tony Johnston's ``Beached,'' and Lilian Moore's ``The Whale Ghost'' (``When we've emptied/the sea of the/last great/whale...''). The five specially commissioned poems are among the weakest (the muse is never easy to command). Still, as a whole, this is an effective and thoughtful tribute, with Fisher's handsome full-bleed paintings as a noble complement to the verse: the huge, streamlined whales and the subtle contrasts between their rich, dark hues and the deep undersea blue-greens are wonderfully suited to his monumental style and elegantly simple compositions. (Poetry/Picture book. 7+)
Pub Date: Oct. 15, 1992
ISBN: 0-8234-0940-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
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by Kate Messner ‧ RELEASE DATE: April 29, 2025
An adventurous work whose authentic voice celebrates the outdoors and everyday heroism.
A summer spent summiting the Adirondacks allows a teenager to reckon with grief.
Thirteen-year-old Finn Connelly’s summer is off to a rocky start. In addition to several incomplete class assignments—including a poetry project about heroes—he’s facing vandalism charges after an angry outburst at the local cemetery. To avoid paying thousands in fines that his family can’t spare, he reluctantly agrees to the proffered alternative: climbing all 46 Adirondack peaks over 4,000 feet by Labor Day accompanied by Seymour, the enthusiastic dog who belonged to the woman whose headstone he damaged. As Finn attempts the hikes, he wrestles with what it means to be a hero, a term often used for his deceased father, a local hockey legend, New York City firefighter, 9/11 first responder, and paramedic who died on the front lines of the Covid-19 pandemic. This verse novel is engaging and easy to follow. It encompasses varied structures, like haiku, sonnet, and found poetry. Other ephemera, such as letters, recipes, and school progress reports, create visual breaks evocative of a commonplace book. The first-person narration vividly conveys a disgruntled teenager’s feelings, including moments of humor and contemplation. The novel wrestles with loss and legacy intertwined with weighty events, challenges, and themes—PTSD, alcoholism, toxic masculinity—and their resulting impact on Finn’s emotional well-being. The supporting characters are encouraging adult role models. Characters present white.
An adventurous work whose authentic voice celebrates the outdoors and everyday heroism. (author’s note) (Verse fiction. 10-14)Pub Date: April 29, 2025
ISBN: 9781547616398
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Kate Messner ; illustrated by Julia Kuo
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by Gwendolyn Brooks & illustrated by Faith Ringgold ‧ RELEASE DATE: Jan. 1, 2007
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
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