Uhlberg (Mad Dog McGraw, 2000, etc.) presents a properly poker-faced retelling of a popular European folktale. Lemuel the fisherman finally makes good on his dream of visiting a magical town he is sure sits just over the horizon. Aiming his boat in the direction of the red scarf he's tied to the bow, he is caught up in a storm and temporarily loses consciousness. No matter, the scarf still points the way. But when he arrives, he's astonished to discover that the streets, buildings, and people look just like those in his native village. Even more amazing, there's a boy who looks just like his son Sol and a woman who could not only be his wife Essie's twin, but she even knows his name! It's all too weird; Lemuel sneaks away that night, and after falling asleep in mid-voyage, "returns" to his own home. The tale's mild humor is picked up nicely in Lamut's airy paintings; nearly all of her neatly drawn people go about their business cheerfully among well-kept, tile-roofed houses, and despite her sharp-sounding words, Essie always greets her foolish husband with a fond smile. This rib-tickler should induce many a young armchair traveler to pay a visit to Chelm or Gotham. (Picture book/folktale. 6-8)
Pub Date: March 1, 2001
ISBN: 1-56145-220-3
Page Count: 32
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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