A sweet, satisfying memoir about family bonds and finding one’s place in the world.
Picture-book author Uhlberg (A Storm Called Katrina, illus. by Colin Bootman, 2015, etc.) tells his story of growing up with Deaf parents in Depression-era Brooklyn.
Evoking a pleasant nostalgia with its strong sense of place, the episodic narrative follows Myron Uhlberg, a young, white Jewish boy, and his family from Myron’s birth to the day he leaves for college. Through anecdotes both funny and poignant, the author explores his complex relationship with his father. Forced to act as an interpreter by the age of 5, Myron feels trapped between the worlds of child and adult as well as Deaf and hearing. This dilemma leads to both humor and pain as Myron navigates the considerable responsibility. The author presents a nuanced portrayal of Deaf life. Myron’s main link to the Deaf world is his parents, but other Deaf adults make appearances, hinting at a spectrum of Deaf experiences. The author’s decision to write his Deaf parents’ speech phonetically could be prejudicial for readers who lack further context, and there is the occasional biased cliché of disability and culture (due to their deafness, he claims his parents’ sole source of entertainment is books; seeing a friend in an iron lung causes him to reassess his self-pity). Additionally, in contrast to the author’s first memoir, Hands of My Father (2009), published for adults, the title of this adaptation feels like a trite appeal to hearing readers. However, the warmth, love, and playfulness of the narrative prevail.
A sweet, satisfying memoir about family bonds and finding one’s place in the world. (Memoir. 9-14)Pub Date: May 1, 2019
ISBN: 978-0-8075-3146-4
Page Count: 240
Publisher: Whitman
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
A retro yet timeless story of family and identity.
Martín brings his successful Mexikid Stories online comic series to print.
Living in California’s Central Coast as a first-generation Mexican American, Pedro (or the “American-style” Peter) struggles to find his place. As an American kid growing up in the 1970s, he loves Star Wars and Happy Days but dislikes the way his five oldest siblings, who were born in Mexico, make him feel less Mexican just because he and the three other younger siblings were born after his parents immigrated to the U.S. to work picking strawberries. A family trip to Jalisco to bring their abuelito back to California to live with them presents Pedro with an opportunity to get in touch with his roots and learn more about the places his family calls home. Told from Pedro’s perspective, the panels read as a stream-of-consciousness travelogue as he regales readers with his adventures from the road. Along the way, Pedro has fresh encounters with Mexican culture and experiences some unexpected side quests. Full of humor, heart, and a decent amount of gross-out moments, Martín’s coming-of-age memoir hits all the right notes. Though the family’s travels took place decades ago, the struggles with establishing identity, especially as a child of immigrants whose identity straddles two cultures, feel as current as ever. The vibrant, action-packed panels offer plentiful details for readers to pore over, from scenes of crowded family chaos to the sights of Mexico.
A retro yet timeless story of family and identity. (family photos, author’s note) (Graphic memoir. 9-14)Pub Date: Aug. 1, 2023
ISBN: 9780593462287
Page Count: 320
Publisher: Dial Books
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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