Newborn Émile surely surprises big sister Malaika, but the warm, culturally attuned storytelling here meets all expectations.
Once again, Malaika’s life is changing, but Hohn and Luxbacher remain consistent in delivering an intimate and culturally rich picture book.
There’s a new girl in the neighborhood, and Malaika’s mother is pregnant, but readers first find Malaika and her stepsister, Adèle, dressed in familiar favorites—ornate masks and colorful capes—and ready for traditional West Indian carnival-inspired play. Like Malaika, readers will love the vibrant and glistening costumes that Luxbacher’s gouaches and pastels continue to enliven. Still, the blend of colors and found paper collage notably highlights the blended “brown and pink family” developing around Caribbean-born Malaika: her Afro-Caribbean mother, her White French-Canadian father, her rosy-cheeked White stepsister, and her soon-to-arrive biracial baby brother. In this third series outing, Hohn is firmly in her element, continuing the story of the little girl from the Caribbean acclimating to her new home in Canada, but the introduction of another little brown girl, Malayka M., who is also “from a far place” and whom our Malaika quickly befriends, explores new avenues of cultural and linguistic plurality. A brief glossary in the frontmatter provides an overview of key French, Caribbean, and Arabic terms readers will encounter throughout the story, which is endearingly narrated in Malaika’s own patois-inflected voice. (This book was reviewed digitally with 9-by-20-inch double-page spreads viewed at actual size.)
Newborn Émile surely surprises big sister Malaika, but the warm, culturally attuned storytelling here meets all expectations. (Picture book. 3-7)Pub Date: March 2, 2021
ISBN: 978-1-77306-264-8
Page Count: 32
Publisher: Groundwood
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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