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BIG WOLF & LITTLE WOLF, SUCH A BEAUTIFUL ORANGE!

From the Big Wolf & Little Wolf series , Vol. 3

The furry soulmates who met, separated and reunited in Big Wolf & Little Wolf (2009) suffer another temporary parting. When Little Wolf chases after a luscious orange that Big Wolf throws a little too hard and then doesn’t come back, Big Wolf once again feels pangs of loneliness. He sets out to find his small blue companion—into a city that Tallec’s crowded, blocky, shadowed street scenes render particularly soulless, impersonal and, as darkness falls, scary. Big Wolf’s feelings are subtly cued but felt with uncommon sharpness: “Big Wolf went cold. He didn’t dare to think anything. Certainly not that Little Wolf wanted to leave him, or that he would never return, or any of the other strange and unbelievable things he might think.” Little Wolf, tubby and silent throughout, is an enigmatic figure, but the much larger Big Wolf is rendered with a nose, ears and body of sinuous, exaggerated length, and the changing curves and angles of his body language clearly capture the depth and intensity of his emotions. Despite a few disconnects between the text and the pictures, even younger readers will be caught up in Big Wolf’s odyssey and rejoice when he at last tracks down his errant buddy, and (after he gently tosses him the orange) they “lived happily together for a long, long time.” (Picture book. 5-8)

Pub Date: April 1, 2011

ISBN: 978-1-59270-106-3

Page Count: 32

Publisher: Enchanted Lion Books

Review Posted Online: April 6, 2011

Kirkus Reviews Issue: March 1, 2011

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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