Kaadan crafts a happy ending within an active war context, no easy feat; readers seeking a less fantasy-dependent plot may...
A story about how a child and his family cope with war.
Yazan, a Syrian boy, has not been able to go to the park to play recently nor to go to school sometimes, which upsets him. He used to have fun watching his mother paint and painting with her, but recently she has been constantly watching TV with the volume so loud and the images spilling out of it full of darkness—literally: Shadows ooze out of it in the pencil-and-watercolor illustrations, one of many symbolic images used to portray war and destruction. One weekend, after all of Yazan’s attempts at self-entertainment and to engage with his parents fail, he escapes. However, the world he sees outside is not what he expected: The street is empty, there are no other kids to play with, and scary sounds of explosions abound. Yazan’s father eventually comes to the rescue, and his parents become more involved again, explaining to him why he cannot go outside. His mother brings her paints, and Yazan is excited. “When will the fighting be over?” he asks. “I don’t know,” says his mother, but “let’s paint a park in your bedroom…and soon, you’ll be able to go outside again and play.”
Kaadan crafts a happy ending within an active war context, no easy feat; readers seeking a less fantasy-dependent plot may enjoy Nicola Davies and Rebecca Cobb’s The Day War Came (2018) or Hayan Charara and Sara Kahn’s The Three Lucys (2016). (Picture book. 4-8)Pub Date: Sept. 1, 2018
ISBN: 978-1-911373-43-8
Page Count: 32
Publisher: Lantana
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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