ON THE OTHER SIDE OF THE FOREST

This French Canadian import features a single father and son who undertake an ambitious project.

The two brown rabbits live with their dog on a farm in a village surrounded by evergreen forest: A wordless spread captures its density with distinct trunks visible at the silhouetted composition’s base, spires stretching to the tops of the pages, and the merest hints of light in the center. With young Arthur narrating, a minimalist text builds suspense: “People say that wolves live in the forest, and ogres, and giant badgers. No one ever goes in there!” His father, however, wants to know what’s on the other side, and a “magnificent” idea forms. Baking mounds of bread, he arouses curiosity in the villagers (and readers). Neighbors follow their noses and soon find themselves exchanging large stones for loaves; the construction of a tall tower will provide a vista. Selected details—clothing, wheat, the wagon—are rendered in red, yellow, and turquoise, contrasting with the setting’s earth tones and cream-colored pages. This orderly world turns into a scene out of a Brueghel painting when the villagers celebrate with games after a storm delays—but does not derail—the dream. The premise is not new, but the family structure, the cooperative community, and the quality of the precisely inked and colored art combine for a riveting read.

Fear of the unknown, neighborliness, and an attentive dog are just the start of conversational possibilities.