by Nancy Johnson James ; illustrated by Diana Ejaita ‧ RELEASE DATE: Jan. 14, 2025
Beautifully crafted and compellingly celebratory.
Myra Viola Wilds turned to poetry after years of fine dressmaking ruined her eyesight.
Two of Wilds’ poems, “Thoughts” and “Dewdrops,” bookend the text. In spare verse laced with unforced rhymes, James stitches sparsely known details into a tender tapestry of a creative life. Like other Black Americans taking part in the Great Migration, Wilds left rural Kentucky for a city where she could learn to read and ply a trade. Though Wilds made dresses for those much wealthier than her, James describes her dressmaking as a creatively gratifying art form: “Sitting sewing gorgeous gowns / and fashionable frocks to wear to town. // …Formal for important places, / big ideas, and serious faces.” Extending James’ captivating verse, Ejaita depicts Wilds as heroic, a silhouetted figure towering over the landscape as she migrates from countryside to city. In one double-page spread, a gritty, charcoal-like texture blurs a dress’s colorful details, representing Wilds’ failing vision. In others, herringbone tweeds, bright colors, and hatched and contoured lines lovingly present Wilds’ dresses. As she shifts from dressmaking to poetry, her needle becomes a pen, and thread flows into letterforms. A brown child is portrayed and addressed at beginning and end—another set of bookends. James’ cogent historical note sets Wilds’ story within the fraught period between Reconstruction and the rise of Jim Crow laws.
Beautifully crafted and compellingly celebratory. (photograph) (Picture-book biography. 4-8)Pub Date: Jan. 14, 2025
ISBN: 9781951836535
Page Count: 32
Publisher: Abrams
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: today
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by Aracelis Girmay ; illustrated by Diana Ejaita
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by Bunmi Emenanjo ; illustrated by Diana Ejaita
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by Monica Brown ; illustrated by John Parra ‧ RELEASE DATE: Sept. 5, 2017
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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by Monica Brown ; illustrated by Rosa Ibarra
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by Monica Brown ; translated by Cinthya Miranda-McIntosh ; illustrated by Adriana M. Garcia
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by Monica Brown ; illustrated by Mirelle Ortega
by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Chris Paul & illustrated by Frank Morrison
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