“Presto!” intones Will whenever he witnesses the “magic” of his family’s mailbox: letters appear and disappear when no one is looking. Sadly, the magic falls flat for Will—he never gets mail. Encouraged by his mother’s example, Will mails a missive to himself and receives it two days later. The experience proves underwhelming because, after all, the letter yields no surprises. Shortly thereafter, however, Will spies, on a box of his favorite cereal, a picture of a boy and girl mailing letters. Reading further, he discovers this is an advertising promotion: each child is sending away labels from three of these boxes in order to receive personalized cereal bowls in the mail. Eating lots more Magic Charms than usual and plying everyone he knows with it, Will soon empties the required three boxes, snips off the labels, and mails them away. The abracadabra is long in coming, but finally the bowl, emblazoned “Will the Great” arrives. Is Will going to fill it with cereal? Of course not. Now emboldened by his magic powers, Will declares that he's going to fill it with oats—for the horse he’s planning to send away for from yet another cereal company! Poydar’s (First Day, Hooray!, 1999, etc.) writing is not particularly felicitous here, but she does capture the allure of getting a letter. Collage bits of magazines, catalogues, and postcards add a little panache to the scenes of endlessly open-mouthed, round-eyed characters. The text does include some clearly laid-out information about how mail is handled and also some helpful pointers for children on how to address envelopes correctly. Good for introducing the concept of getting mail. (Picture book. 4-8)
Pub Date: Sept. 15, 2000
ISBN: 0-8234-1525-2
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
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