by Nancy Springer ‧ RELEASE DATE: Oct. 1, 1991
Colt, who has spina bifida, is introduced to riding in a special program for handicapped children. Reluctant at first, he soon learns that being on a horse not only strengthens his muscles but empowers him with new independence and courage, a better route to self-identity than his former brattiness. Meanwhile, his mother Audrey marries Brad, a gentle, sympathetic man with a teenage son (``Rosie'') and a daughter Colt's age. What would normally be a minor incident—Colt's mount jolts him when he starts to trot—is life-threatening for Colt, and Audrey reluctantly decides that the riding must stop. Colt becomes despondent, but then Brad comes up with an especially safe mount and the family agrees that, as Colt has pleaded, the rewards of his riding are worth the risks. Indeed—in a satisfying scene dramatizing how Colt can overcome his limitations, he rescues his stepbrother when the two are alone together and Rosie is injured. The plot here is familiar, the details concerning spina bifida obviously purposive. But Springer's characters, striving to create a loving new family, come alive as exceptionally warm, nice people who try to solve their unavoidable problems without dissipating emotional energy in rivalries or self-pity. Sweet but not saccharine: a satisfying horse story with fine extra dimensions. (Fiction. 10-13)
Pub Date: Oct. 1, 1991
ISBN: 0-8037-1022-4
Page Count: 128
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1991
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Michael Morpurgo & illustrated by Michael Foreman ‧ RELEASE DATE: Nov. 1, 2006
“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)
Pub Date: Nov. 1, 2006
ISBN: 0-7636-3206-6
Page Count: 96
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2006
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