by Nancy van Laan & illustrated by Victoria Chess ‧ RELEASE DATE: Sept. 1, 2001
Van Laan (Tickle Tum!, p. 59, etc.) presents a collection of three not-too-scary rhyming tales populated by Chess’s (The Beautiful Butterfly, 2000, etc.) wickedly loathsome, dark-eyed creatures. The first story is of the unsavory Old Doctor Wango, an unpleasant character who has starved his dog Towser, his cat Mouser, and his poor gaunt horse Sam by feeding them just pebbles and grass. He then takes a ride and all are blown away by a wahooing wind. A bit of a let-down. The second describes a gruesome being pulled together piece by piece: “Two legs inside a pair of pants / came bounding down the stairs. / They danced a jig and spun around / Then something else came wooshing down.” Right, the arms inside a shirt, and so forth. And the final installment in this trilogy of horror is an old favorite of the up-past-midnight sleepover set: An old woman is picking peas (the bright green pea pods are as long as her arm) and finds a detached hairy toe on the ground. She buries it and that night the original owner haunts her to get it back. This version is kinder and gentler than usual, thanks to the rhyming and the lack of the traditional jump, but it’s creepy enough for a younger scare. Children will enjoy Van Laan’s storytelling cadence and the sheer fun of the language—and you can’t beat Chess’s ghoulish creatures with a hairy toe. (Picture book. 4-6)
Pub Date: Sept. 1, 2001
ISBN: 0-689-81875-0
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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by Nancy van Laan ; illustrated by Stephanie Graegin
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by Nancy van Laan & illustrated by George Booth
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adapted by Jim Aylesworth & illustrated by Barbara McClintock ‧ RELEASE DATE: April 1, 1998
A traditional cumulative tale, which Aylesworth (My Sister's Rusty Bike, 1996, etc.) endows with a lively pace, is illustrated in a decidedly old-fashioned style, giving the book the look and feel of a reproduction of an old edition. Working with precise pen-and-ink, McClintock portrays the cozy home of an elderly couple, dressed in Victoriana and in possession of a great wood-burning stove. Her work has never been more animated than in the scenes of the two-dimensional gingerbread man running away, exuberantly eluding everyone elsethe couple, a butcher, and a cow and pig dressed in human clothesuntil he is devoured by a fox. The portrayals of a cow and pig are more bizarre than charming, and the too-obvious wrinkles on the elderly people's faces are one example of eccentric choices on the part of the illustrator.With Richard Egielski's The Gingerbread Boy (1997) hot off the press and other fine variations of the tale still in print, it's hard to make the case for this one, other than to appreciate its antique look. (Picture book/folklore. 4-6)
Pub Date: April 1, 1998
ISBN: 0-590-97219-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
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by Hannah Carmona Dias ; illustrated by Dolly Georgieva-Gode ‧ RELEASE DATE: Sept. 14, 2018
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...
This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.
Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)Pub Date: Sept. 14, 2018
ISBN: 978-1-63233-170-0
Page Count: 32
Publisher: Eifrig
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Hannah Carmona Dias ; illustrated by Brenda Figueroa
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