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FIRST SNOW

A sweet suburban/rural contrast to the snowy day enjoyed by Peter in the city.

A brother and sister venture outside on a snowy day for some playtime with the neighborhood children.

“Perky faces. / Scrambling feet. // Snowflakes falling! / What a treat!” With nary an adult to be seen, the relationship between the older brother and his little sister takes on a nurturing feel as he helps her with her mittens and, once back inside, shares hot chocolate and a book. Outside, though, the group of neighborhood kids intermixes in their various activities. The boys and girls have a snowball fight, make snow angels, play in an igloo, and sled. They are a diverse bunch: three white children, a child with East Asian features, a child with beige skin, the brown-skinned sibling pair, and their brown-and-white floppy-eared hound. Short sentences and spot-on rhythms give the outdoor adventure a bouncy excitement; toward the end, these same characteristics combine with somnolent words and phrases to calm readers in readiness for sleep: “Creamy chocolate—warm, not cold. // Peaceful twilight. Stories told.” Shipman’s illustrations feature the children’s bright snow gear against a light blue and white snowy backdrop, the outdoor scenes wonderfully speckled with the still-falling snow.

A sweet suburban/rural contrast to the snowy day enjoyed by Peter in the city. (Picture book. 2-6)

Pub Date: Sept. 1, 2018

ISBN: 978-0-8075-2440-4

Page Count: 32

Publisher: Whitman

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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