An active beach day without the usual rhythm and sparkle of the waves.
It’s a perfect beach day for four kids on an outing.
The sky and ocean are the bluest of blues, and the sand is golden. Following application of sunscreen, the children play in the waves, float on inflated beach toys, and search for “pebbles, seaweed. / Shells to grab” before scooping up a crab. They lick ice cream treats and build an elaborate sand castle complete with moats and boats before taking a rest and exchanging smiles. All is harmonious, and even the toppling of a scoop of ice cream has a happy ending when one child generously shares theirs with the other whose treat is in the sand. Each spread contains one or two lines of a rhyming couplet, often with alliteration, sounds, and action words (“Floating left and bobbing right— / SPLISH! SPLASH! JUMP! Hold on tight!”), but inconsistencies in stress pattern and number of syllables per line make reading aloud awkward. Two adults, a black woman and a white man, chaperone the children, but their relationship to the multiracial group of children and to each other is unclear; they could be as easily interpreted as a nuclear family or a group of friends and neighbors. Most of the cartoon-style illustrations show the children facing readers, with the children’s eyes cut sharply to the left or right, awkwardly indicating interaction among the children.
An active beach day without the usual rhythm and sparkle of the waves. (Picture book. 3-6)Pub Date: April 1, 2020
ISBN: 978-0-8075-9396-7
Page Count: 32
Publisher: Whitman
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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