A clever, polished story whose lively illustrations reinforce the retro theme.
Two white boys ply the gumball machine with their quarters, pursuing the elusive silver racer toy in this picture book.
It’s 6 a.m., and James would like his allowance of five quarters. His mother, still in bed, counts them out for him. One quarter is a Canadian quarter, and when James asks if it’s “lucky,” his mother replies “Oh, yes.” After school James meets up with Danny at Mr. Wright’s store, where there is a gumball machine with a silver racer toy in it among the gumballs. One by one they insert their quarters. Many gumballs and other prizes come out, but no silver racer. Finally, all that is left is James’ lucky Canadian quarter. Newman’s angular illustrations excel at expressions and postures and have a retro look: the boys are snub-nosed and wholesome-looking, the women wear perky ponytails, the shopkeeper is beefy, and everyone in the story is white except for one black man, who is a customer at the store. Willard’s present-tense narrative has a pace and cadence that never swerve as it smoothly brings readers to the conclusion of whether the Canadian quarter was a lucky one or not.
A clever, polished story whose lively illustrations reinforce the retro theme. (Picture book. 4-8)Pub Date: Oct. 24, 2017
ISBN: 978-0-7636-7774-9
Page Count: 32
Publisher: Candlewick
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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