A sweet debut that offers a tongue-in-cheek instruction manual for new big sisters.
In social worker Ahuja’s picture book, a well-worn topic—the arrival of a new sibling—gets a multicultural twist.
As the book opens, its young dark-skinned protagonist resists the new baby. “Baby’s loud. Baby’s messy. Sometimes Baby really smells,” she narrates. She then decides that “baby doesn’t know the house rules yet” and proceeds to induct the new baby into the ways of the family. In these spreads, Echeverri’s playful illustrations subtly reinforce this interracial family as Black and South Asian: Mom wears a dupatta during family movie night, and Grandma and Grandpa make rice pudding with their granddaughter; like the protagonist, Dad is illustrated as dark brown, but his black hair is tightly curled while hers is straight; the new baby is painted light brown like Mom but has Dad’s hair texture. As is common in this genre of books, the protagonist grows to accept and love her new sibling, her rules moving from restrictive to playful and inclusive. “The last and most important rule is, no matter what, we stick together,” she explains. “Because… / we’re a team now.” This good-hearted title is one of two concurrent releases from Ahuja; It’s Big Brother Time! is the second, which is nearly identical but depicts the family as Black and East Asian. (This book was reviewed digitally with 6.5-by-13-inch double-page spreads viewed at 33.1% of actual size.)
A sweet debut that offers a tongue-in-cheek instruction manual for new big sisters. (Picture book. 3-5)Pub Date: March 23, 2021
ISBN: 978-0-06-288438-1
Page Count: 32
Publisher: HarperFestival
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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