A meandering tale of desire and human folly.
Avery traces the history of a possibly cursed opal ring in her latest historical novel.
Objects carry their histories with them. When James Newcomb Sr., a maker of optical lenses, buys a silver box of jewelry from a group of peddlers in the English countryside, he has no idea what’s in store for the finest piece in the lot: a magnificent opal set in a gold filigree ring. After his death, James’ daughter, Electra, allows the ring to be stolen by a conniving portrait painter—and his other daughter, Tally, murders the man in order to steal it back! The resulting scandal loses their brother, James Jr., his spot on Capt. Cook’s voyage to observe the Transit of Venus, forcing him (with the ring in tow) to sign aboard a doomed arctic mission that claims the lives of all aboard. When the frozen ship is discovered decades later, someone steals the ring from the dead sailor’s effects. From there, the ring finds its way to several more owners, from the Queen of Spain to a pair of marooned master thieves to a marine biologist and beyond, winding its way through several centuries of human obsession and leaving a trail of tragedy in its wake. An auctioneer briefly in possession of the ring dismisses the “folklore surrounding the belief the opal was cursed,” but some folklore should not be trifled with. Avery adeptly leaps from owner to owner, crossing oceans and eras. Much of the fun comes from seeing the ring’s value change given the situation. (“I certainly hope someone wants it,” complains one unimpressed character, who receives the ring as a donation to fund ambulances for the Great War. “But I suppose there’s no accounting for taste.”) The novel doesn’t stick with any single person long enough for the reader to form a strong attachment, and the various episodes read more like vignettes than self-contained narratives. There is much here to enjoy, but those looking for a cohesive story may be disappointed.
A meandering tale of desire and human folly.Pub Date: Dec. 4, 2024
ISBN: 9798350969948
Page Count: 184
Publisher: BookBaby
Review Posted Online: Dec. 12, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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