A remarkable family tale that fully embraces its weirdness and ambiguity.
After encountering others with similar secrets, two siblings make a drastic, grim decision in this novel.
Yoshi lives with his sister, Saachi, and their mother, Henrietta. It’s not an easy existence, as Henrietta often has paper bags of “roogs” (drugs) and stays inside her room, dazed, for prolonged intervals. She also has a local reputation as a murderer due to her lethally shooting an aggressive gardener and his dog. It was unquestionably self-defense, but that hasn’t prevented a stigma shadowing the mother and her children. When Yoshi finds cryptic notes hidden in a library book, the messages direct him to a small group of individuals. They claim that Yoshi is one of them, as everyone in this gathering they call The Colony has parents who use and/or deal drugs. Regular meetings with The Colony and further concealed notes only seem to elevate Yoshi’s distrust, including of the vagrant Sikes, whom the boy is intent on helping. But even more telling is his new friends’ insistence on taking care of his “problem.” It soon becomes apparent to Yoshi and Saachi that getting rid of Henrietta may be their only option. Avery’s offbeat story is intentionally vague. For example, there’s no specific time period or setting, and the siblings sometimes converse in their own dialect. Nevertheless, the brother-sister relationship grounds the narrative; they may argue but their mutual compassion is unmistakable, even if it stems from an emotionally absent mother. Likewise, there’s a general unease, as motivations, including The Colony’s and Sikes’, aren’t immediately clear. But while the siblings’ language generates memorable slang that readers will enjoy, some inconsistent spellings make it unnecessarily confusing. (“Cabbu,” which seems to mean cash, is later “caboo”; “ledling,” which essentially means sleeping, is also “ladling.”) The events all lead to a twist ending that the author subtly hints at throughout the darkly bizarre novel.
A remarkable family tale that fully embraces its weirdness and ambiguity.Pub Date: Feb. 28, 2020
ISBN: 978-1-5439-9191-8
Page Count: 150
Publisher: BookBaby
Review Posted Online: March 17, 2020
Review Program: Kirkus Indie
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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