by Nanette Mellage & illustrated by Cornelius Van Wright & Ying-Hwa Hu ‧ RELEASE DATE: April 1, 2001
Josh Gibson was sometimes known as the Babe Ruth of the Negro Leagues. Of course, in some circles, Babe Ruth was known as the Josh Gibson of the Major Leagues. And therein lies the heart of the matter. Although they might have played against each other during barnstorming games, they could never play together in the same league. Here a fictitious elderly man relates to his grandson his boyhood memories of one particularly exciting series of games early in Gibson’s career, when his appearance at the plate led to the cheers “Thunder’s coming.” Some of these games took place at Yankee Stadium, and grandfather was there with his father. The book begins with a brief explanation of the segregated leagues, a description of Gibson’s abilities, and an account of the series between the Homestead Grays and the New York Lincoln Giants, before focusing on grandfather’s recounting of the final game. The “memories” of the game are nicely detailed as the excitement builds and Gibson performs a feat never accomplished before or since. He hit a homerun completely out of Yankee Stadium. (Naturally, this is an unrecognized accomplishment, as it did not happen during a regulation major-league game.) The softly colored illustrations nicely accompany the text. One arresting illustration captures the fans’ reactions as Pop nervously twists his cap as he awaits Gibson’s turn at bat. The mixture of factual material and fictional memories is not always successful. Too much of Gibson’s life is left for the author’s notes and may be missed by young readers. Buried in these notes is the especially poignant fact that Gibson died of a stroke at the early age of 35, only a few months before Jackie Robinson broke baseball’s color line in 1947. Gibson had always hoped and believed it would happen and did not live to see it. In the end we have a charming vignette of a figure who has been neglected in baseball lore for children, when we could have had a powerful, moving story. Still, it’s a start. (Picture book. 7-10)
Pub Date: April 1, 2001
ISBN: 0-8167-7009-3
Page Count: 32
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2001
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by Lulu Delacre ; illustrated by Lulu Delacre ‧ RELEASE DATE: Sept. 17, 2019
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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