A quiet novel that questions and upends the traditional marriage plot.
As their wedding approaches, a young couple—and their friends and family—wonder if they are making the right decision.
Celine and Luke are a newly engaged couple who are happy enough, though not exactly happy, in Dolan’s deeply Irish sophomore novel. Quietly introspective and dryly funny, the novel is broken up into six parts, with each of the first five narrated by a different character: Celine (“The Bride”), Phoebe (“The Bridesmaid”), Archie (“The Best Man”), Luke (“The Groom”), and Vivian (“The Guest”). In the last part, “Wedding Day,” Dolan begins to fasten off all the narrative threads she has been weaving throughout the novel. These unique viewpoints offer a bricolage of not only Celine and Luke’s relationship but also their relationships with their friends and family. Celine is a talented pianist whose first love is music; she tends to ignore Luke’s faults, which include his penchant for lying, disappearing, and being ambivalent. Phoebe would rather spend her time tracking down Luke than on bridesmaid duties, whereas Archie is loath to be best man because he’s in love with the groom. To round it all out, Vivian, a friend and ex-fling of Luke’s, offers a fairly objective perspective on the state of the couple's relationship on the morning of their wedding. Dolan’s characters feel irritatingly real in both their indecisiveness and their propensity for making poor decisions. The novel’s formal playfulness—which includes having Luke narrate through drafts of his unfinished wedding speech and showing Vivian’s past through her “encounters with paintings”—offers a fuller picture not only of the characters, but all of the social and cultural dynamics at play. Dolan writes beautifully about yearning and unhappiness: “Loneliness wasn’t having no one. Loneliness was the gap between what you hoped for and what you got.” Ultimately, Celine and Luke’s happiness depends on whether what they got is better than what they hoped for—and if loving one another is more important than being in love.
A quiet novel that questions and upends the traditional marriage plot.Pub Date: Nov. 7, 2023
ISBN: 9780063330467
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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