A stimulating modern rejoinder to Joseph Schumpeter’s notion of creative destruction.
Engineer and trend-watcher Taleb builds on his best-selling hit The Black Swan (2007) to limn a world of uncertainty and chaos.
The world is a fragile place, full of surprises. Humans—and especially their markets—hate surprises in general. Small wonder, then, that we spend so much effort trying to make our buildings earthquake-proof and our computers virus-proof, that things prophylactic (no, not that) occupy so much of our thoughts. Taleb calls this “antifragility,” writing, “Just as we cannot improve health without reducing disease, or increase wealth without first decreasing losses, antifragility and fragility are degrees on a spectrum.” This being a book meant to solve big-picture problems that may or may not be real for most readers, Taleb urges that many of our efforts are misguided, if understandable. He scorns the “fragilistas” so afraid of their own shadows that they put systems into place “in which the benefits are small and visible, and the side effects potentially severe and invisible.” His current tract is meant as a corrective, and it’s mostly successful at what it aims to do, if sometimes a little daunting—readers are asked, for instance, to grapple with terms such as “apophatic,” “hormesis” and “Mithridatization,” all useful but thorny all the same. In what a college comp instructor might mark as a shift in diction, however, he throws in more familiar language: “Redundancy is not necessarily wussy; it can be extremely aggressive.” And good thing, too. Touring the landscape of uncertainty, Taleb conjures up a few first principles and praises a few models, not least of them Seneca, the great Stoic philosopher who also “happened to be the wealthiest person in the Roman Empire.” Mostly, though, the book is an accumulation of small examples and counterexamples, more suggestive than prescriptive.
A stimulating modern rejoinder to Joseph Schumpeter’s notion of creative destruction.Pub Date: Nov. 27, 2012
ISBN: 978-1-4000-6782-4
Page Count: 544
Publisher: Random House
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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