Tongue-in-cheek humor and stylized illustrations should make this appealing to sophisticated young listeners.
In this French import, a natty group of animal friends congregates on the back of Fossil the crocodile, engaging in everyday activities while piling on top of one another in various configurations.
Fossil, a long, light-green crocodile wearing a checked shirt, striped pants, and black-and-white spectator shoes, poses peacefully in the first double-page spread. Readers are told that he “loves the quiet.” His tranquility is short-lived, however, as his friends traipse toward him in a slow parade. From Fippo the hippo all the way to Otto the octopus, all of the animals are named and pictured on the endpapers, except for one who shows up on the copyright page. They advance from the left and climb up on Fossil and one another. Meanwhile, the slyly humorous text continues to describe Fossil’s preference for “be[ing] alone. / Away from all the racket and hubbub.” Given the limited, albeit ironically amusing, text and relatively static illustrations, apparently created in pen and ink and colored pencil, the book’s appeal relies on close examination of the pictures’ quirky details. Colors are mostly muted, but pattern abounds, adding interest. The revelation that “Crocodiles are “quick…[and] fierce…even in books!” may inspire a frisson of suspense, but Fossil’s friends (and readers) are quickly reassured.
Tongue-in-cheek humor and stylized illustrations should make this appealing to sophisticated young listeners. (Picture book. 3-7)Pub Date: Oct. 3, 2017
ISBN: 978-1-61689-610-2
Page Count: 40
Publisher: Princeton Architectural Press
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
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