As deceptively diffuse as it is meticulously observed, Ginzburg’s novel is a gem.
In the shadow of World War II, a young couple explores their feelings for one another.
In this short but very affecting novel, originally published in English in 1963, characters speak of trivialities. “What a fine head of hair he has, at that age!” Elsa’s mother tells her as, walking home, they pass a neighbor. “Did you notice how ugly the dog has become?” Neither Elsa’s mother nor anyone else in their small Italian village knows that Elsa has fallen in love with Tommasino, the youngest child of Balotta, the old factory owner. The book takes a looser structure than Ginzburg’s others. Elsa and Tommasino bookend the story with their affair, but the middle is taken up by an account of Tommasino’s siblings and their spouses: Purillo, the adopted cousin who takes over their father’s factory; long-faced Gemmina; dreamy Vincenzino; and Mario, who marries Xenia, a Russian who speaks French but no Italian and so cannot converse with anyone in the village. What all these lives have to do with one another doesn’t become clear until the end. What is clear is that there is a darker current running beneath all the trivialities. During the war, Purillo sympathized with the fascists, an affectation for which the others mocked him. Nebbia, a friend, was killed behind the house. “I have the feeling,” Tommasino tells Elsa near the end, “that they have already lived enough, those others before me; that they have already consumed all the reserves, all the vitality that there was for us….Nothing was left over for me.” Rarely does Ginzburg directly address politics—fascism, in particular—but its shadow hangs over the book just like it hangs over the characters. The result is profound and profoundly moving.
As deceptively diffuse as it is meticulously observed, Ginzburg’s novel is a gem.Pub Date: May 4, 2021
ISBN: 978-0-8112-3100-8
Page Count: 144
Publisher: New Directions
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A moving, hilarious reminder that parenthood, just like life, means constant change.
During an annual beach vacation, a mother confronts her past and learns to move forward.
Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”
A moving, hilarious reminder that parenthood, just like life, means constant change.Pub Date: June 18, 2024
ISBN: 9780063345164
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
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