Why is successful Herbert Rowbarge so cold of heart, so lacking in the delight or merriment one would expect of someone so devoted to his popular amusement park and its old-fashioned merry-go-round? The answer, readers are aware throughout, is that "a vital piece of him was wrenched away in his third month of life"—a twin brother adopted from the Home to which both abandoned infants were confined when a day old. After that Herbert's first pleasure in life is a second-hand Noah's Ark, with the animals all in pairs except for "one lonely lion that had lost his twin forever." (It is to the pair of lions on his merry-go-round that the grown-up Herbert goes for comfort.) At three, he finds joy in an entrance-hall mirror, but his tantrums on being carried away result in his being exiled from the hall. Through life, he experiences a pleasurable but terrible "twinkling down the spine" when he catches himself in a mirror. Herbert never returns the affection of his "older brother" from the Home, though the two are business partners through life. He marries for money, is repelled by his wife, and resents through life the twin daughters she bears five years before her death. When they are 40, he arranges for one of the twins to live with and care for a newly widowed aunt; as it doesn't matter which one goes—he can't tell them apart anyway—the two switch off by the month between their aunt's house and their father's. In his later years Herbert has a few near-brushes with his twin, but is never aware of the other man's existence—not even when he kills him in a car accident on the day of his own death at 72. Babbitt alternates chapters in Herbert's life, from birth to death, with dry observations of his devoted 45-year-old daughters Babe and Louisa on those last days before his death liberates them to live together in drab contentment. It's an expertly turned artifact of a story, which is not to deny its human sympathy and penetrating edge.
Pub Date: Nov. 15, 1982
ISBN: 046004642X
Page Count: 216
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1982
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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