A fine, comfortable storyteller’s voice meets up with sly and elegant illustrations in this tale from the Brothers Grimm. A baby boy who is “nobody special” is born with a crown-shaped birthmark, so the local fortune-teller predicts he will marry a princess. The king, father of a newborn daughter, bribes the parents to surrender their son, on the pretext that he will raise the boy. Instead, he puts him in a box and drops the box in a river. The baby is rescued and named Marco, and grows up tall and sweet and confident. Re-discovered by the king, he is saved by mischievous bandits, marries the princess, then is sent off by his new father-in-law mid-celebration to get three golden hairs off the devil’s head. Now the story gets interesting, as Marco rides off to Hell, meets the devil’s grandmother, and brings back the three hairs—the “ouch!” of the title—while also doing away with the king and relieving a bored ferryman of his duties. The illustrations are rich in Renaissance pattern in architecture and clothing, chivied by Marcellino’s round-headed, puckish figures. Street, forest, and water vistas share the rosy golden light of fairy tale; the whole is quite satisfying. (Picture book/folklore. 4-8)
Pub Date: Nov. 30, 1998
ISBN: 0-06-205066-4
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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