by Natalie Barnes ; illustrated by Aviel Basil ‧ RELEASE DATE: Aug. 6, 2024
An infectiously cheerful tribute to the Festival of Lights.
Eight nights, 10 reasons to celebrate.
Hanukkah lasts eight days, but this bubbly young narrator needs 10 reasons to explain why the Festival of Lights is so wonderful—from lighting the menorah to singing the Dreidel Song to enjoying latkes and jelly doughnuts—and makes an excellent case for each. As the child takes part in meaningful rituals and has plenty of fun, it becomes clear that Hanukkah is a family-centered celebration. After all, as we learn from reason number four, it was the “brave Maccabee family” who vanquished the soldiers sent by “a mean king named Antiochus,” who forbade Jewish people from practicing their religion and attacked their Temple. When the Maccabees returned to the Temple, the oil they found—enough to burn in their lamp for one night—miraculously lasted for eight days and nights. This delightful tale will charm readers, and its bright, cartoonish illustrations are ideal for a story about a festival that celebrates light illuminating the darkness. The family at the center of this tale has lightly tan skin, though their community is a diverse one. A neighborhood scene features twinkling Christmas trees in windows in addition to menorahs. A glossary with pronunciation guides closes out the book.
An infectiously cheerful tribute to the Festival of Lights. (Picture book. 4-8)Pub Date: Aug. 6, 2024
ISBN: 9781680103021
Page Count: 24
Publisher: Tiger Tales
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
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More by Natalie Barnes
BOOK REVIEW
by Natalie Barnes ; illustrated by Andrea Stegmaier
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kimberly Dean ; illustrated by James Dean
BOOK REVIEW
by James Dean & Kimberly Dean ; illustrated by James Dean
BOOK REVIEW
by Joan Holub ; illustrated by James Dean
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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More by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt & illustrated by Oliver Jeffers
More About This Book
SEEN & HEARD
SEEN & HEARD
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