Vampire fans, sink your teeth into this satisfying collection.
Fresh takes on a perennial paranormal favorite from leading YA authors.
The classic vampire archetype—“white, cisgender, straight, and able-bodied”—makes way for a diverse reimagining of the blood-drinking immortals in this anthology. In Tessa Gratton’s “Seven Nights for Dying,” an anonymous narrator is given a week to consider an offer while grappling with furious grief. A lonely teenage Latinx vampire makes an unexpected connection through his blog in Mark Oshiro’s “Mirrors, Windows & Selfies.” An Eternal woman and a Shadow Baron make a wager in Dhonielle Clayton’s “The House of Black Sapphires,” set in a dazzling alternate version of New Orleans. A gay Native teen summons an urban legend in Rebecca Roanhorse’s “The Boys From Blood River” but gets more than he bargained for. Themes of power, transformation, and agency weave through these 11 tales, which also feature a 19th-century grave robber, a cheerleading vampire slayer, and an Instagram-savvy elder vampire. The tone of the stories ranges from the playful narration of Samira Ahmed’s “A Guidebook for the Newly Sired Desi Vampire” to the simmering rage of Kayla Whaley’s disabled protagonist in “In Kind.” The cast, living and (un)dead, includes characters who represent multiple dimensions of diversity. Each story is followed by a brief commentary and thought-provoking questions from the editors.
Vampire fans, sink your teeth into this satisfying collection. (editors' note, author bios) (Paranormal fantasy. 14-18)Pub Date: Sept. 22, 2020
ISBN: 978-1-250-23001-0
Page Count: 272
Publisher: Imprint
Review Posted Online: July 7, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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