From Kinsey-Warnock (As Long as There Are Mountains, p. 875, etc.), a short novel about growing up that opens at the end of the school year in 1969 and closes the next spring. Arlis, 12, is relieved to be away from home, where, during a field trip, he stripped to his underwear to wallow in mud like a pig, was urinated on by classmates, and tricked into eating a worm sandwich. At his grandparents' Vermont farm for the summer, Arlis warms to his grandfather, who teaches Arlis about the call of the loons during a fishing trip. Arlis's carelessness with a fishing line leads to a loon's death; when the elderly man encourages Arlis to take up running, he tries, quits, tries again, then easily makes the cross-country team, turns a tormentor into a friend, reconciles with his father, who goes in a few pages from an overworked lawyer to a runner who sings in the choir. In a final contrivance from which Arlis emerges a hero, he drives his mother through snowstorm to the hospital where she gives birth. Kinsey-Warnock trivializes life-and-death events with more prosaic material; in the meantime, pieces of plot remain undeveloped, e.g., an essay, mentioned only when Arlis is assigned it, and when he turns it in, is greeted with ``This is good, Arlis. Very good. I didn't know you could write like this.'' Every chapter contains emotional scenes or rhapsodic passages on nature, but they are glued on rather than transpiring naturally in the story. (Fiction. 10-12)
Pub Date: March 1, 1998
ISBN: 0-525-65237-X
Page Count: 104
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1997
The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)
Pub Date: Sept. 30, 1999
ISBN: 0-06-440766-7
Page Count: 162
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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