by Natalie Marshall ; illustrated by Natalie Marshall ‧ RELEASE DATE: March 1, 2021
A simple seasonal round.
Divided into four separate stories, this colorfully illustrated book follows Millie-Mae as she moves through summer, autumn, winter, and spring.
Each section begins with changes in the scenery around her red-roofed house and then moves on to what she wears, where she goes, and what she sees along the way. In summer, she wears a yellow dress and straw hat on her way to the beach to build a sand castle. Along the way, “Millie-Mae passes a row of tall yellow sunflowers” being visited by “blue butterflies and busy yellow bees.” In autumn, “leaves crunch under Millie-Mae’s shoes” when she hosts a tea party for her toys in the park. Winter brings snow, and “Millie-Mae builds three snowmen! She uses twigs for their arms and orange carrots for their noses.” When spring arrives, the trees are covered in pink flowers, and “Millie-Mae fills up her green watering can so she can water her plants.” At the end of each story, it’s time for bed. She and her teddy bear climb under the covers with a “Good night, Millie-Mae. Sweet dreams.” Bright, uncomplicated illustrations complement the repeated action and color words, thus helping children to learn and read along. Softly patterned backgrounds and details add visual interest. Companion title Millie-Mae Loves To Play finds the child dressing up, gardening, flying a kite, and making lemonade in equally simple vignettes. Australian spellings in this import have not been Americanized.
A simple seasonal round. (Picture book. 3-6)Pub Date: March 1, 2021
ISBN: 978-1-68464-213-7
Page Count: 52
Publisher: Kane Miller
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 7, 2023
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
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SEEN & HEARD
SEEN & HEARD
by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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