Tarpley and Lewis return to the theme of their first collaboration: I Love My Hair (1997). In this case, it is the occasion of a young man’s first official haircut. Tarpley is very sharp in catching the moods and rituals of the barbershop. Like the best of such places, this shop has a group of regulars, warm in each other’s company, cajoling, exuding camaraderie. Miles, the first-timer, an African-American boy, is in the company of his father, who is one of the regulars. Tarpley works the rite-of-passage angle, but not overly; she understands that the atmospherics are what count: “Jazz music, loud voices, and laughter blend with the buzzzzzzz of clippers and the soft sweesh-sweesh whisper of scissors.” All the gents have advised Miles to “be brave,” which of course gives him a mild case of the shim-shams when the clippers touch the back of his neck for the first time. But his dad is there to offer some soothing advice and the cut proceeds. Miles exits to a round of high-fives and those cherished words from the barber: “See you next time.” There aren’t many of these safe harbors left out there in the everyday world, and Tarpley celebrates well their survival. And their steadiness and warmth are equally applauded in Lewis’s sure-handed watercolors—Miles is totally adorable—inviting enough to make readers want to go out and get a trim. (Picture book. 4-8)
Pub Date: Feb. 1, 2001
ISBN: 0-316-52284-8
Page Count: 32
Publisher: Megan Tingley/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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