A novel unsure of where it wants to go.
A teenage boy upends the lives of his mother and sister after making an impulsive decision.
The latest novel to be translated into English from Mauritian French author Appanah begins with a poem of sorts, credited to “Detainee 16587”: “I’m deep inside a place I don’t want to give a name to,” it begins. “If I speak the real names of the things that are here / Beauty tenderness and imagination fly out of the window.” The reader learns in short order that the detainee in question is Wolf, a 17-year-old boy who has been arrested after taking his mother Phoenix's car and driving without a license to visit his sister, Paloma, a librarian whom he hasn’t seen in years. Wolf ends up crashing the car just before reaching his sister’s commune and is taken to a detention center by police. Later, we learn more about Wolf, who “suffers from anxiety attacks, and can go for days without speaking” and compulsively runs, “to the point of exhaustion, to the point of nausea, until his legs give way, until his thoughts (that are too many, misshapen and contradictory) retreat into the depths of his brain.” The novel goes back into the past, where Appanah tells the story of Phoenix’s traumatic childhood, her father, and the doctor who delivered Wolf. It then returns to the present, where Wolf languishes in the detention center, where he’s living in fear: “He is afraid of having to stay here for long. He is afraid of being forgotten, as he is so silent and invisible. He is afraid that this place will swallow him whole and never spit him out again.” Wolf is a fascinating character, as is Phoenix to a lesser extent, but Appanah doesn’t spend quite enough time with either—the sections on Wolf’s grandfather and doctor don’t go anywhere, or at least any place that opens up the novel. Her writing and Strachan’s translation are fine, although she’s too given to tangents that turn out to be blind alleys. It’s a valiant attempt that just misses its mark.
A novel unsure of where it wants to go.Pub Date: April 4, 2023
ISBN: 9781644452257
Page Count: 144
Publisher: Graywolf
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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