The author at his best.
Parables of emotional complexity and moral ambiguity, with lessons that are neither easy nor obvious, by a short-story master (For the Relief of Unbearable Urges, 1999, etc.).
The title story that opens the collection (evoking in its title both the Holocaust and Raymond Carver) is like so much of the best of the author’s narratives, with a voice that evokes a long legacy of Jewish storytelling and the sharp edge of contemporary fiction. It presents the reunion of two women who had been best friends as girls but who have married very different men and seen their lives take very different paths. One is now living an “ultra-Orthodox” family life in Israel, with a husband who insists that “intermarriage...is the Holocaust that is happening now.” The other lives in South Florida and has married a more secular Jew, who narrates the story and whose voice initially invites the reader’s identification. Yet a change in perspective occurs over the course of the visit, both for the reader and the narrator: “It is the most glorious, and silliest, and freest I can remember feeling in years. Who would think that’s what I would be saying with these strict, suffocatingly austere people come to visit our house.” Every one of these eight stories casts light on the others, but perhaps the most revelatory is “Everything I Know About My Family on My Mother’s Side,” in which a writer named Nathan, described as “completely secular” and called “an apostate” by his older brother, insists that this story is “true...Not true in the way fiction is truer than truth. True in both realms.” It’s the story of how a family stays together and a relationship falls apart, told in 63 numbered sections of a paragraph or two. Like so much of this volume, it seems to exist in a literary sphere beyond the one in which the ambitions of postmodern fiction have little to do with the depths of existence beyond the page.
The author at his best.Pub Date: Feb. 15, 2012
ISBN: 978-0-307-95870-9
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland(1992) to An Officer and a Spy(2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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