by Nathan Lane & Devlin Elliott ; illustrated by Dan Krall ‧ RELEASE DATE: Oct. 4, 2016
Mabel has moxie, but she deserves a better story. As Mabel herself might say, “Send for the script doctor, darlings.”...
A pampered French bulldog experiences a sudden decline in her eyesight, affecting her mobility and perceptions of potential threats.
Little Mabel established her opulent lifestyle and divalike demeanor in her previous self-narrated story, Naughty Mabel (2015). In this sequel, Mabel’s eyesight mysteriously goes haywire, and she runs into walls, mistakes a bowl of potpourri for her dogfood dish, and begins to experience double vision. The meandering, overlong text describes how Mabel’s eye problems worsen at night, when she perceives large shapes as monsters about to attack her. On a sleepover with friends, she smashes dinosaur skeletons and, back in her own home, beats a gigantic armchair with her pink baseball bat, leading to a trip to the eye doctor for an exam. (Another dog owner there is a black woman; Mabel’s owners and her next-door neighbor are white.) Mabel tries on different kinds of “very attractive” glasses, but her owners choose contact lenses as “more practical for an active girl.” Mabel’s sassy attitude and over-the-top antics have a slapstick appeal, but several of the jokes in her witty dialogue are way over the heads of young readers, who likely won’t be familiar with potpourri, couscous, Martha Stewart, or black-and-white movies starring Bette Davis. The final gag depends on readers having a fairly sophisticated, well-developed sense of irony—debatable for the younger end of the audience range. Clever, cartoon-style illustrations and a supersized format provide visual heft for Mabel’s narrative but can’t compensate for the weaknesses of the text.
Mabel has moxie, but she deserves a better story. As Mabel herself might say, “Send for the script doctor, darlings.” (Picture book. 4-8)Pub Date: Oct. 4, 2016
ISBN: 978-1-4814-3024-1
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
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by Nathan Lane & Devlin Elliott ; illustrated by Dan Krall
by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: March 25, 2025
A friendship tale with solid messaging and plenty of fun sounds to share.
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In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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by Alice Schertle ; illustrated by Jill McElmurry
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by Alice Schertle ; illustrated by John Joseph
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by Alice Schertle ; illustrated by John Joseph
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