by Nathaniel Lachenmeyer ; illustrated by Carlyn Beccia ‧ RELEASE DATE: March 1, 2014
Music lovers might appreciate this slight story that ties the creation of a popular classical sonata to a pampered pet, but...
Despite an intriguing premise, Lachenmeyer and Beccia’s collaboration doesn’t quite manage to produce a pleasing composition.
Legend has it that Scarlatti’s "Sonata in G Minor" was inspired by his pet cat, Pulcinella. Lachenmeyer uses this as a jumping-off point and imagines that the fancy feline has a particular interest in (and talent for) composition. Though initially stymied by Scarlatti’s dictum that no one may touch his harpsichord, Pulcinella gets her chance one day when a bold mouse in a bright blue vest pops up and leads both cat and master on a merry chase. When her paws hit the keys, Pulcinella begins to play. Initially captivated, Scarlatti later worries about the impact of her talent on his livelihood and decides that passing his pet on to a friend is the best way to protect himself and other composers. Beccia’s illustrations feature subdued colors, elaborate details and faux crackling to enhance the historical feel. Unfortunately, the stiffness of the figures, though artistically appropriate, creates a sense of distance. Unlikely events, uneven pacing, and the unsettling, if ultimately amusing, finale further reduce the already limited appeal.
Music lovers might appreciate this slight story that ties the creation of a popular classical sonata to a pampered pet, but most young listeners will simply be left wondering what poor Pulcinella did to be abandoned by her owner. (author’s note) (Picture book. 5-8)Pub Date: March 1, 2014
ISBN: 978-0-7613-5472-7
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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