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SCARLATTI'S CAT

Music lovers might appreciate this slight story that ties the creation of a popular classical sonata to a pampered pet, but...

Despite an intriguing premise, Lachenmeyer and Beccia’s collaboration doesn’t quite manage to produce a pleasing composition.

Legend has it that Scarlatti’s "Sonata in G Minor" was inspired by his pet cat, Pulcinella. Lachenmeyer uses this as a jumping-off point and imagines that the fancy feline has a particular interest in (and talent for) composition. Though initially stymied by Scarlatti’s dictum that no one may touch his harpsichord, Pulcinella gets her chance one day when a bold mouse in a bright blue vest pops up and leads both cat and master on a merry chase. When her paws hit the keys, Pulcinella begins to play. Initially captivated, Scarlatti later worries about the impact of her talent on his livelihood and decides that passing his pet on to a friend is the best way to protect himself and other composers. Beccia’s illustrations feature subdued colors, elaborate details and faux crackling to enhance the historical feel. Unfortunately, the stiffness of the figures, though artistically appropriate, creates a sense of distance. Unlikely events, uneven pacing, and the unsettling, if ultimately amusing, finale further reduce the already limited appeal.

Music lovers might appreciate this slight story that ties the creation of a popular classical sonata to a pampered pet, but most young listeners will simply be left wondering what poor Pulcinella did to be abandoned by her owner. (author’s note) (Picture book. 5-8)

Pub Date: March 1, 2014

ISBN: 978-0-7613-5472-7

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: Dec. 23, 2013

Kirkus Reviews Issue: Jan. 15, 2014

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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