A highly candid memoir of parenthood that often fascinates and occasionally frustrates as the author tries to come to terms...
Permissive parenting clashes with adolescent rebellion amid the skateboarding subculture.
As the two skateboard-obsessed sons become increasingly disruptive to family harmony and the narrative proceeds from school discipline issues to pot-smoking defiance and legal skirmishes over trespassing and graffiti, it would seem that this is building toward a horrific climax. Thankfully for Thompson (A Curious Man: The Strange and Brilliant Life of Robert "Believe It or Not!" Ripley, 2013, etc.) and his family, the sons stepped back from the precipice toward the end of high school, straightened out, and found some sort of independent maturity. So what initially seemed like a cautionary tale turns out to be a rite-of-passage story. The lacerating power of some of the chapters comes from the author’s recognition that he has perhaps “become their enabler,” that he didn’t recognize where all this was leading until it was almost too late, and that his own teenage experiences with skateboarding and marijuana hadn’t prepared him for this brave new world. “If my 1970s skating had been a pastel-colored tableau, smooth like 1970s AM radio,” he writes, “the boys skated like a gray-hued mash-up of grunge, punk, and rap, all angsty and illegal.” Thompson also confesses to the insecurities of a writer whose career has stalled, who numbs himself with alcohol and has to hide the Xanax after his son tells him that it has become “the new heroin” among their crowd. Could this loving family have handled things differently? Definitely. Could they have handled things better? That’s more difficult to answer. The author admits that his wife worried that this book would “memorialize our incompetence,” while he countered that it would “celebrate our persistence.” It also shows that Thompson recognizes promising material when he sees it (and lives it) and knows how to heighten the drama for narrative momentum.
A highly candid memoir of parenthood that often fascinates and occasionally frustrates as the author tries to come to terms with the causes that have produced these particular effects.Pub Date: May 15, 2018
ISBN: 978-0-06-239434-7
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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